Michael Connelly began writing the Mickey Haller novels to recharge his batteries for the LAPD detective Harry Bosch, his long-running series hero, who has featured in 16 novels since he first appeared, in The Black Echo (1992). The Gods of Guilt is only the fifth story to feature the defence lawyer Mickey Haller, but the success of the film of The Lincoln Lawyer – released in 2011, starring Matthew McConaughey and based on the novel from 2005 – means Haller is now arguably a more popular character than Bosch.
That popularity is reflected in an early flash of deadpan humour, as Haller rushes down the courthouse steps and gets into the back of the Lincoln Town Car from which he conducts his business, only to discover that he’s sitting in another lawyer’s Lincoln.
In the cut-throat world of the Los Angeles legal system, where lawyers fight for business, the admittedly flattering imitation is costing Haller dearly. He, however, has more pressing concerns. An old friend, Gloria Dayton, has been found murdered. Complicating matters is the fact that the alleged killer, Gloria’s pimp, has requested that Haller defend him in court, and has done so on Gloria’s advice.
Taking the case against his better judgment, Haller has good reason to rue his decision when it gradually becomes apparent that the murder is rooted in a previous case. Soon he finds himself and his associates targeted by a Mexican drug cartel.
The title of The Gods of Guilt refers to the jurors who deliver their verdict on the men and women whom Haller defends in court, but there's a personal dimension to it too. "The gods of guilt are many," says Legal Siegel, Haller's ageing mentor. "You don't need to add to them."
Mickey Haller is a slick, fast-talking defence lawyer who isn’t above bending the rules to ensure clients walk away from court with a not-guilty verdict, regardless of their innocence, but his professional exterior masks a man haunted by demons. That clash of the professional and the personal manifests itself in his fraught relationship with his teenage daughter, Hayley, who holds him responsible for a tragedy in her own life. Her refusal to speak to him and Haller’s desperate attempts to open a line of communication are a poignant counterpoint to Haller’s hard-boiled persona.
A Pulitzer Prize finalist when he worked as a crime reporter, Connelly tells his story in the taut, driven, journalistic style that has become his trademark as an author over the course of two decades and 26 novels. The result is a propulsive, intricately plotted and emotionally involving tale, but The Gods of Guilt also marks the emergence of Mickey Haller from the long shadow cast by Harry Bosch to become a complex and fascinating character in his own right.
