Stage

From giving modern classics their first Irish productions to nurturing new work from key Irish names, Landmark has had an outsize impact over the past 20 years

Gemma Tipton offers a beginner’s guide to taking up a new cultural pursuit

Theatre: The Gate’s fast-paced Christmas show, relocated to early 20th-century Dublin, will entertain parents as well as children

Celia Sandoya owns title role in Morgann Runacre-Temple’s staging, which demonstrates Ballet Ireland’s evolution

New community engagement programme to make the theatre ‘a more civic, open and democratic space’

Roddy Doyle’s new version of Peter Pan postponed because of ‘intricate and technical nature’ of show, says Dublin theatre

Two investigations surrounding events at the theatre have cost over €200,000 between them, with an independent review of governance, in particular, incurring escalating costs

Colin Murphy’s script explores the 1933 legal battle to allow US publication of James Joyce’s Ulysses

Theatre: Devlin cleverly creates workplace mundanity and half-promise of a good time

In The Weight, his first dance piece, the Dublin-based Italian photographer appeals to his audience to help solve urgent problems

Theatre: Leon Butler and Peter Power expand their art-making by integrating dance by Rosie Stebbing and Robyn Byrne with an immersive digital installation

Abbey Theatre Prop Master Eimer Murphy shows us around their warehouse, which is home to every sort of prop that might be used in an Abbey production.

Abbey Theatre’s warehouse in north Dublin is bursting with stories. Eimer Murphy, Ireland’s only props master, takes us on a tour

Marking the 30th anniversary of Cork City Ballet Company, this is a work of extravagant display

Cork City Ballet has survived for three decades in a country with little ballet infrastructure. Its 30th-anniversary production is particularly notable for its artistic director

The author of The Snapper and The Van has set his new version of JM Barrie’s classic story in Ireland

Wexford Festival Opera 2023: If you want to hear what a Puccini of the 21st century might have sounded like, this is as good a starting point as any

Wexford Festival Opera 2023: Strong singing and the orchestra playing a blinder can’t mask the disjointedness

Wexford Festival Opera 2023: An impressively unwavering Claudia Boyle sings the title role, with Matteo Mezzaro as Abenamet and Konu Kim as Almuzir

Belfast International Arts Festival 2023: Patrick J O’Reilly presents cold, sci-fi-inspired dramatic concept

The formally trained performer of Gutter found a freer way to be creative after working with Irish choreographers

Fifty-nine per cent reported an income of less than €20,000 a year

Áine Gallagher’s stand-up show A Cup of Focals uses ‘guerilla tactics’ to help Irish audiences lose their hang-ups around Gaeilge

Kevin Fitzsimons is hoping that Twin Flames, set around the Marina in Cork and the old Majorca ballroom in Crosshaven, will sell out its eight-night run

Dublin Theatre Festival 2023: Miet Warlop’s creation, which closes this year’s festival, is a feat of endurance and an act of hope

Belfast International Arts Festival 2023: Dark deeds offset by cartoony humour have been a Mitchell trademark. It’s not as potent a combination here

Dublin Theatre Festival 2023: Karen McCartney nicely captures the emotional mess of sympathy, irritation and pain in this play by Joanne Ryan

Dublin Theatre Festival 2023: The children at the Ark are audibly delighted and amused, gasping and giggling throughout Mónica Muñoz’s production

Dublin Theatre Festival 2023: It lacks subtlety, but Shaun Dunne’s multimedia exploration of online pornography and real-life consequences is exhilarating

Dublin Theatre Festival 2023: The strength of this work lies in the complete experience rather than the individual elements

Dublin Theatre Festival 2023: Róisín Stack continues to expand the grammar and techniques of her particular brand of performance art

Lost Lear uses Shakespeare’s tragedy as the scaffold for a new play that confronts the way we deal with dementia

Dublin Theatre Festival 2023: Miet Warlop’s relentless, increasingly frenetic mash-up of sport and rock music is an intense, thrilling experience

Druid’s production, which is a play cycle of Seán O’Casey’s three best known plays, premiered in July

Dublin Theatre Festival 2023: Pan Pan’s nightmare is not that unsettling to awake from

Dublin Theatre Festival 2023: Martyna Majok’s Polish characters are pitch-perfect

Dublin Theatre Festival 2023: Shaun Dunne hopes his play will resonate with people who have been in situations ‘that they haven’t been able to escape from’

Dublin Theatre Festival 2023: The smells of turf, smoke and mosses help convey the effect of our exploitation of our bogs over centuries

Dublin Theatre Festival 2023: Bryan Burroughs is a lithe, commanding presence in this show

Dublin Theatre Festival 2023: Janet Moran’s play takes place in a Quaker meeting house on the point of being swept away by developers