Oklahoma! review: Stunning soprano Molly Lynch leads Bord Gáis Energy Theatre’s take on revolutionary musical
Claire Tighe’s staging at the Dublin theatre leans into the ruggedness of American rural life in the early 20th century
The Lost Tapes of Lydia Howell review: A musician lost in the wilderness of writer’s block
Cork Midsummer Festival 2026: A shoegaze dream becomes a nightmare in Ray Scannell’s play, in which he also stars
Pool (No Water) review: Five stars for this Mark Ravenhill play featuring Evanna Lynch
Cork Midsummer Festival 2026: The Everyman’s production puts the Metropole Hotel’s empty swimming pool to extremely effective use
Constellations review: Wonderfully committed performances make head-spinning science positively pleasant
Cork Midsummer Festival 2026: Aidan Moriarty and Julie Maguire feature in Cork Arts Theatre’s production of the Nick Payne play
Stories from Dubliners review: Back for Bloomsday, Joyce’s stories get a dollop of comic energy
Jim Roche and Liam Hourican of Volta Theatre Company stage their adaptations of Two Gallants, A Little Cloud and Counterparts
‘A stupid woman, miserable in appearance’: Doireann Ní Ghríofa leads us into a hospital’s haunting past
At Cork Midsummer Festival 2026, the Said the Dead writer brings visitors into the former Our Lady’s Psychiatric Hospital
The Homecoming of Joseph Grace: Michael Glenn Murphy gives an impressive, deeply felt performance
Cork Midsummer Festival 2026: Deirdre Kinahan’s play follows an Irishman whose enlistment in the British army begins a life of loneliness and suffering
HouseWork review: A love letter and an elegy for the 1990s and a future Ireland that never quite arrived
Cork Midsummer Festival 2026: Áine Ní Laoghaire’s one-woman show portrays the shifting role of women through their rise in house music
The Whiteheaded Boy review: Heart of Abbey’s summer show lies in an unexpected place
Genevieve Hulme-Beaman combines deadpan melancholy with sublimely odd physical comedy in Annie Ryan’s bawdy staging of the Lennox Robinson play
Poison review: Full of emotional texture, this play deserves richer characterisation
Theatre: In the Irish premiere of Lot Vekemans’s play, grieving parents care most about trying to dominate each other
The Good Luck Club review: Absorbing study of Irish sweepstake greed features oodles of skulduggery
Louise Lowe’s promenade piece, at the National Archives, portrays the shady history of the Irish Hospitals’ Sweepstake
Les Misérables: The Arena Concert Spectacular – You’ll never have heard the musical so brilliantly sung
Theatre: Killian Donnelly leads a cast that features some of the greatest voices associated with the production
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