The Sound of Music at Cork Opera House: Ecstatic, five-star production of beloved show
Theatre: Everybody is ready to burst out singing during performance of Rodgers and Hammerstein musical with darker nuances
Testament review: A grippingly intense Mary in new opera with libretto by Colm Tóibín
Galway International Arts Festival 2026: Tarik O’Regan’s eclectic musical expression powers adaptation of Tóibín novella
The Brightening Air review: Kate Gilmore gives a standout performance in Conor McPherson’s play
The supernatural lurks during a strained family reunion, but never coalesces into a haunting spectacle
Pádraicín review: A sublime tour through Galway, where artists make reality big and messy
Galway International Arts Festival 2026: Brú Theatre’s promenade production sends Pádraic Ó Conaire’s characters scattering through the city
For Dolores review: Funny, bruising and brilliantly written and acted
Galway International Arts Festival 2026: Eva O’Connor’s play is an acerbic, emotionally astute portrait of female friendship in all its intensity
The Shaughraun review: Druid’s laugh-out-loud romp is the most enjoyable show you can imagine
Galway International Arts Festival 2026: Garry Hynes directs a cast whose delight in performing Boucicault’s melodrama is contagious
Two review: Patrick Ryan and Clelia Murphy bring this painful but very funny play to life
Galway International Arts Festival: Jim Cartwright’s series of vignettes balance bawdy tavern comedy with a bleak sense of how badly life can turn out
Dressing Room review: Enda Walsh creates a meditative, moving 15 minutes
Galway International Arts Festival 2026: The Rooms series continues with the story of a caretaker whose marriage has reached a moment of crisis
Legally Blonde: The Musical review – Two stars from me, what sounds like five from the audience
Theatre: The Love Island winner Amber Davies leads the cast of a production that has the auditorium on its side from the get-go
Oscar Unwritten review: A consistently entertaining, if misleading, portrait of Oscar Wilde
Theatre: Tim Scott’s tightly scripted, visually impressive, well-acted play struggles to match its subject’s self-awareness and intellectual depth
The Magic Glasses review: Excellent acting, direction and design. It’s just a shame about the script
George Fitzmaurice’s one-act comedy from 1913 is clearly a passion project for Conall Morrison, who is directing it at Bewley’s Cafe Theatre. It can be hard to see why
Oklahoma! review: Stunning soprano Molly Lynch leads Bord Gáis Energy Theatre’s take on revolutionary musical
Claire Tighe’s staging at the Dublin theatre leans into the ruggedness of American rural life in the early 20th century
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