Refusing to follow the script

This detective story refuses any neat endings – to great effect

Postscript

The New Theatre

****

There are five crucial elements to a detective story, Noelle Brown tells us in the opening moments of Postscript: setting, character, plot, problem, and solution. Postscript is the story of Brown's own search for details of her childhood adoption, and she takes on a fictional identity – that of private investigator Breda Browne – as a means of protecting herself from the inevitable hurt that her search will cause both for her and her adopted family. It is a moving story stoically enacted by Browne and Bríd Ní Neachtain, who beautifully brings to life the letters that form the linchpin of Browne's journey.

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It is where Postscript deviates from its narrative inspiration, however, that it becomes most interesting, as Brown, along with co-writer Michele Forbes, refuses the neat problem-solution trajectory of the traditional detective story. This makes for a slightly uneasy, jagged structure that Conor Hanratty refuses to tame. It also makes Postscript a more powerful piece of work.

Ends Sept 14

Sara Keating

Sara Keating

Sara Keating, a contributor to The Irish Times, is an arts and features writer