Francesca Dego: Il Cannone review – Refinement and control
Dego seems to have developed an immediate affinity for Paganini’s violin
Conservative Dublin piano competition sees slight change of pace
International competition has hardly changed in 30 years but has seen increased Asian participation
The peculiar situation of a national opera house in Wexford
The renaming of Wexford Opera House is odd: what’s fine for a festival does not necessarily make sense for a national institution
When composers talk about music, it’s well worth listening
Presentations by composers help to normalise what can often seem like the arcane world of new music
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