Eighteen revelations from a trove of Trump tax records
US president has reduced his tax bill with range of questionable measures
Rosemary Kennedy: Telling the story of a forgotten daughter
Composer Brian Irvine’s new opera focuses on JFK’s intellectually disabled sister
Where the bodies are buried: sexuality and power in South Africa
It’s a new day in South Africa in Yael Farber’s new version of Miss Julie. Has anything really changed?
‘Knee Deep’ is hard to categorise – and even harder to believe
The Casus quartet’s show would be very low-key if it wasn’t so jaw-dropping
A Joycean stream of consciousness
Olwen Fouéré’s performance gives voice to the river in James Joyce’s unfathomable ‘Finnegans Wake’. It’s sink-or-swim time
Flying form: the operatic world of Julie Feeney
In between making indie music and taking flying lessons, the renaissance woman has turned her hand to opera. Her working life is as hard to keep up with as her conversation
Yael Farber: Turning up the heat in South Africa
South Africa’s intense society shows the best and worst of humanity, says Yael Farber. Can ‘Mies Julie’, her version of Strindberg’s class tragedy, escape apartheid?
John Gerrard’s ‘Cuban Schools’ illustrate the deceit at the heart of the notion of perpetual growth
Projections in the Absolut Gallery at the Galway Arts Festival’s use technology more commonly seen in gaming to build an eerie virtual world that allows viewers to explore the decline of a utopian ideal
Skateboards and see-saws: gripping art in Galway
John Gerrard, Howard Hodgkin and Richard Gilligan shine at Galway Arts Festival’s visual-arts strand, while Heneghan Peng’s giant wooden see-saw bench is a big hit
Alone at last
Two lovers with intellectual disability slip away to a hotel room in Christian O’Reilly’s finely balanced play for Blue Teapot. Do they need protection?
A twist in the tail
The mouse hero of Pat McCabe’s children’s story knows how to work a crowd. It’s just as well this production comes with its own onstage audience
Special-needs actors centre stage: ‘For once they have the power in the room’
Several new theatrical productions are asking audiences to stare at disabled people, and explore their loves, lives and issues
Summoning the spirit of the spring
The dancers take centre stage in this Fabulous Beast take on Stravinsky’s work – to terrific effect
Matthew E White: how a dalliance with pop released this free-jazz man
Soul, faith, jazz and justice: Matthew E White’s conversation is as rich as his music
Following the flow of the ‘Wake’ to its source
How can you capture the dark seam of energy and form at the heart of ‘Finnegans Wake’? By giving voice to the river that runs through James Joyce’s extraordinary book
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