Ireland’s Edge live: Day 2 of Dingle festival features conversation with Chief Justice
‘Thinkers, changemakers, inventors, advocates and artists’ at west Kerry event
The play with no performers: Beckett’s Room is something between a conjuring act and a weird dream
As the world that made Samuel Beckett who he was becomes magically apparent, the point of Dead Centre’s unusual approach begins to makes sense
An 11-year-old boy, alone on a Dublin stage for an hour
Ollie West, child star of ‘Hamnet’ at the Dublin Theatre Festival, says theatre is ‘kind of like PE’
The Arc, part VIII: La Reine Claude builds towards its conclusion
The action takes a violent turn in the hands of Brokentalkers
The Arc, part VII: Our collaborative theatre project starts to turn on itself
Bush Moukarzel gives La Reine Claude a dark twist
The Arc, part III: La Reine Claude
Tom Murphy started it; Enda Walsh wouldn’t let it go; and now Deirdre Kinahan is exploring the bad blood and intrigue of La Reine Claude
The Arc, part two: La Reine Claude
Tom Murphy began our collaborative play for the Dublin Theatre Festival; here, Enda Walsh gives the plot a surreal twist
‘La Reine Claude’: a new play by Tom Murphy, Deirdre Kinahan, Sonya Kelly, Enda Walsh . . .
The Arc, a new project by ‘The Irish Times’ in association with Dublin Theatre Festival, has asked Tom Murphy to begin a play, then hand it on to fellow writers to continue
The right direction: unravelling the roles in the theatre awards
When we congratulate directors on a job well done, do we know what we’re congratulating them for?
Paying more than lip service
We may never be able to interpret an unfathomable tragedy, but Lippy has extraordinary things to say about it
Lippy lads: A meditation on meaninglessness
If a suicide pact in Leixlip was a pointless tragedy, how can an experimental theatre maker and a traditional playwright make sense of it?
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