Grant Hart, Hüsker Dü drummer and singer, dies at 56

Influential punk band formed by Hart, Bob Mould and Greg Norton in late 1970s in St Paul

Greg Norton, Grant Hart and Bob Mould of Hüsker Dü, in Chicago in 1987. Mould said in a Facebook post that Hart’s death was not unexpected, and he acknowledged their occasional differences. Photograph: Paul Natkin/WireImage
Greg Norton, Grant Hart and Bob Mould of Hüsker Dü, in Chicago in 1987. Mould said in a Facebook post that Hart’s death was not unexpected, and he acknowledged their occasional differences. Photograph: Paul Natkin/WireImage

Grant Hart, a drummer, vocalist and songwriter for the influential Minnesota rock band Hüsker Dü, died Wednesday at his home in St Paul. He was 56. The band’s publicist, Ken Weinstein, said the cause was cancer.

Hüsker Dü were formed by Hart, guitarist and singer Bob Mould and bassist Greg Norton in the late 1970s in St Paul, and soon became known for high-volume blasts of heart-quickening rock that could not quite disguise the hooks buried beneath the noise.

An early member of the hardcore movement, Hüsker Dü were a prolific presence in the 1980s, releasing six albums in fewer than six years. The band's 1984 double album, Zen Arcade, was lauded by Robert Palmer of the New York Times, who said it might be the best record "to have emerged from the hardcore scene".

Challenging punk orthodoxy with experimental takes on genre and ambitious narrative elements, Zen Arcade introduced the band to a wider audience and reimagined the boundaries of hardcore. Hart and Mould met in a record store in 1978 and soon began to play together, along with Norton, whom Mould had known previously. The group bonded over their love for significant punk bands of the decade, including the Ramones and the Sex Pistols.

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Though Hart and Mould were both gay, their sexual orientation was not a major part of the band's identity. "Really, it didn't define much about the band," Hart told The A.V. Club website in 2000. "If anything, it would have been just another question mark, because we were so unlike the stereotype du jour."

Clashed

Hart and Mould, both independent-minded musicians, frequently clashed over the band’s direction – both were songwriters – and the group’s contentious breakup, late in 1987, came in the wake of substance-abuse accusations.

“I didn’t enjoy playing hardcore,” Hart said in the A.V. Club interview. “At the time, while I was drummer for Hüsker Dü even though I played other instruments, it was just such a damn boring job for a drummer.”

He said that even as he began to infuse the band’s albums with more of his ideas, Mould pushed back in what Hart characterised as a “showdown”, saying that the group would never be an even split of their ideas.

Mould said in a Facebook post that Hart’s death was not unexpected, and he acknowledged their occasional differences. “We (almost) always agreed on how to present our collective work to the world,” Mould said. “When we fought about the details, it was because we both cared.”

Devotees

As with many bands, Hart’s contributions as drummer were not as visible as those of Mould, the more obvious bandleader. But Hart had plenty of devotees, as evidenced by the song the Washington band the Posies wrote and dedicated to him.

Hart wrote two songs released as singles from the band's major-label debut album, Candy Apple Grey (1986), Sorry Somehow and Don't Want to Know If You Are Lonely, as well as two of the band's most beloved tracks on Zen Arcade, Turn on the News and Pink Turns to Blue.

Ken Shipley, one of the owners of the reissue label the Numero Group, which is releasing a boxed set of early Hüsker Dü material in November, remembered Hart in a statement as “disarming and masterminding all at once”.

“Grant was tortured for sure, but he had a hell of a lot of fun bringing you in on the joke, even if you were part of the punch line,” he wrote.

Grant Hart was born in 1961 and started playing music professionally at age 13. He had been in several bands before joining Hüsker Dü. After its breakup, he formed several other bands and released his own music intermittently. An accomplished visual artist who designed Hüsker Dü’s album art, he continued to draw and to read poetry in the recent years.

– New York Times