Women and children first

This frantic promenade covers the same ground as previous instalments, but some events gain a new perspective

Save The Kiddies

Markievicz Leisure Centre

***

Although it takes the audience, by and by, to a place that a number of us have already visited, this performance in Anu's enveloping Thirteen project takes a more distinctive route. Our principle guide here is Dora Montefiore, whom Bairbre Ní Chaoimh plays with wide-eyed determination, her sense of purpose edged with hysteria. It's a wise portrayal, as Montefiore's motive for moving the children of strikers to English foster homes was undermined as Protestant proselytising by the Irish clergy.

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This appropriately frantic promenade through Dublin is a snapshot of that pandemonium, but its real heart is in Bairbre Ní hAodha’s performance as a steely Dublin mother, which seems to reveal more humanity against high stakes from every angle it can be witnessed. A private meeting with Helena Moloney (Derbhle Crotty), in a dressing room, brings the news of one of the fatalities of Bloody Sunday: Alice Brady. Though it seems strange – amid all the tragedies of this fateful day – to restrict this chapter to women only, Louise Lowe’s staggeringly well choreographed confluence of three separate performances brings a sense that everything – and everyone – is keenly connected.

Until Sep 21

Peter Crawley

Peter Crawley

Peter Crawley, a contributor to The Irish Times, writes about theatre, television and other aspects of culture