Since they began, in 1997, the Irish Times Irish Theatre Awards have celebrated the achievements of the Irish stage each year. Throughout the calendar, three independent judges visit professional productions across the country, reflecting on the highest standards of production, performance, direction and design.
BEST PRODUCTION
Red A Prime Cut and Lyric Theatre coproduction of John Logan's play
Far Away A Corcadorca production of Caryl Churchill's play
Hamnet A Dead Centre and Abbey Theatre coproduction of Bush Moukarzel, Ben Kidd and William Shakespeare's play
Woyzeck in Winter A Landmark Productions and Galway International Arts Festival coproduction, based on Georg Büchner's Woyzeck and Franz Schubert's Wintereisse, conceived by Conall Morrison
BEST OPERA
The Second Violinist A Landmark Productions and Wide Open Opera coproduction; composed by Donnacha Dennehy; libretto by Enda Walsh
Acis and Galatea An Opera Theatre Company production of Handel's work
Front of House A Ulysses Opera Theatre and Cork Opera House coproduction; composed by Tom Lane; libretto by Lily Akerman
Dubliners A Wexford Festival Opera and Opera Theatre Company coproduction; composed by Andrew Synnott, libretto by Arthur Riordan, adapted from James Joyce's Dubliners
BEST NEW PLAY
The Same By Enda Walsh, produced by Corcadorca
Hamnet By Bush Moukarzel and Ben Kidd, produced by Dead Centre and the Abbey Theatre
Charlie's a Clepto By Clare Monnelly, produced by Axis Ballymun
Class By Iseult Golden and David Horan, produced by Iseult Golden and David Horan
BEST DIRECTOR
Emma Jordan For Prime Cut and Lyric Theatre's coproduction of Red, by John Logan
Bush Moukarzel and Ben Kidd For Dead Centre and the Abbey's coproduction of Hamnet by Bush Moukarzel and Ben Kidd
Garry Hynes For Druid's production of King of the Castle by Eugene McCabe
Enda Walsh For Landmark Productions and Wide Open Opera's coproduction of The Second Violinist, by Enda Walsh and Donnacha Dennehy
BEST ENSEMBLE
Siobhán Cullen, Kate Stanley Brennan and Amy McElhatton In Druid's production of Crestfall, by Mark O'Rowe
Louis Lovett, Karen Egan, Gus McDonagh, Paul Reid, Colin Campbell, Caitríona Ennis and Frank Blake In the Abbey Theatre's presentation of Corn Exchange's production of Dublin by Lamplight, by Michael West in collaboration with the company
Bryan Burroughs, Faoileann Cunningham, Caitríona Ennis, Donal Gallery, Raymond Keane, Janet Moran, Garrett Lombard and David Pearse In the Abbey Theatre's production of Ulysses, adapted by Dermot Bolger
Gemma Kane, Honi Cooke, Ethan Dillon, Gordon Quigley, Meg Healy, Michael-David McKernan and Toni O'Rourke In Reality:Check Productions' staging of Disco Pigs and Sucking Dublin by Enda Walsh
BEST ACTRESS
Catherine Walsh For her role as Lisa in Corcadorca's production of The Same, by Enda Walsh
Eileen Walsh For her role as Lisa in Corcadorca's production of The Same, by Enda Walsh
Katie Honan For her role as Eli in Let the Right One In, adapted by Jack Thorne, in a production by the National Theatre of Scotland by arrangement with Marla Rubin Productions and Bill Kenwright, in association with the Abbey Theatre
Clare Monnelly For her role as Charlie in Axis Ballymun's production of Charlie's a Clepto, by Clare Monnelly
BEST ACTOR
Ollie West For his role as Hamnet in Dead Centre and the Abbey Theatre's coproduction of Hamnet, by Bush Moukarzel and Ben Kidd
Shane O'Regan For his role as Tommo in Pemberley Productions and Verdant Productions' coproduction of Private Peaceful, adapted by Simon Reade from Michael Morpurgo's novel
Patrick O'Kane For his role as Rothko in Prime Cut and Lyric Theatre's coproduction of Red, by John Logan, and his role as Woyzeck in Landmark Productions and Galway International Arts Festival's coproduction of Woyzeck in Winter
Aaron Monaghan For his role as Martin in Landmark Productions and Wide Open Opera's coproduction of The Second Violinist by Donnacha Dennehy and Enda Walsh
BEST SUPPORTING ACTRESS
Rosaleen Linehan For her role as Hurdy Gurdy Man in Landmark Productions and Galway International Arts Festival's coproduction of Woyzeck in Winter, and for her role as Mags in the Gate Theatre production of The Red Shoes, in a new version by Nancy Harris
Marion O'Dwyer For her role as Mrs Nugent in the Gate Theatre production of The Red Shoes, in a new version by Nancy Harris
Clare Dunne For her role as Sylvia in the Gate Theatre production of Tribes, by Nina Raine
Caitríona Ennis For several roles in the Abbey Theatre production of Ulysses, adapted by Dermot Bolger, and for her role as Maggie in Corn Exchange's production of Dublin by Lamplight
BEST SUPPORTING ACTOR
Thomas Finnegan For his role as Ken in Prime Cut Productions and the Lyric Theatre's coproduction of Red, by John Logan
Marty Rea For his role as Nick Carraway in the Gate Theatre production of The Great Gatsby and for his role as Jemmy Maguire in Druid Theatre Company's production of King of the Castle by Eugene McCabe
Mark Huberman For his role as Tom Buchanan in the Gate Theatre's production of The Great Gatsby, adapted by Alexander Wright
Robbie O'Connor For his role as Christy in Anu Productions' staging of Hentown
BEST SET DESIGN
Ciarán Bagnall For Prime Cut Productions and the Lyric Theatre's coproduction of Red, by John Logan, and the Gate Theatre production of The Great Gatsby
Paul O'Mahony For Opera Theatre Company's production of Acis and Galatea and for the Everyman Theatre production of Futureproof, by Lynda Radley
Jamie Vartan For Landmark Productions and Galway International Arts Festival's coproduction of Woyzeck in Winter and for Landmark Productions and Wide Open Opera's coproduction of The Second Violinist
Andrew Clancy and José Miguel Jiménez For Dead Centre and the Abbey Theatre's coproduction of Hamnet, by Bush Moukarzel and Ben Kidd
BEST LIGHTING DESIGN
Ben Ormerod For Landmark Productions and Galway International Arts Festival's coproduction of Woyzeck in Winter
Ciarán Bagnall For Prime Cut Productions and the Lyric Theatre's coproduction of Red, by John Logan, and for the Gate Theatre production of The Great Gatsby
Aedín Cosgrove and Paul Keogan For Corcadorca's production of Far Away, by Caryl Churchill
Matt Frey For Corn Exchange's production of Dublin by Lamplight, by Michael West in association with the company
BEST COSTUME DESIGN
Joan O'Clery For Landmark Productions and Galway International Arts Festival's coproduction of Woyzeck in Winter
Peter O'Brien For the Gate Theatre production of The Great Gatsby
Annemarie Woods For Northern Ireland Opera's production of Radamisto, by Handel
Hannah Clark For Northern Ireland Opera's production of Così Fan Tutte, by Mozart
BEST SOUNDSCAPE
Mel Mercier For Corcadorca's production of Far Away, by Caryl Churchill
Alan Darcy For the Abbey Theatre's production of Two Pints, by Roddy Doyle
Tom Lane For Bram Stoker Festival's production of Whitby, by Joan Sheehy and Colin Dunne
Ben Delaney For the Abbey Theatre's production of Jimmy's Hall
BEST MOVEMENT DIRECTION
Dylan Quinn For the Prime Cut Productions and Lyric Theatre coproduction of Red, by John Logan
Laura Murphy For Bram Stoker Festival's production of Whitby, by Joan Sheehy and Colin Dunne
Vicky Manderson For the Abbey Theatre's production of Jimmy's Hall
Steven Hoggett and Eddie Kay For the National Theatre of Scotland's production of Let the Right One In, by arrangement with Marla Rubin Productions and Bill Kenwright, in association with the Abbey Theatre
JUDGES’ SPECIAL AWARD
Rough Magic For the SEEDS programme, a far-sighted initiative in 2001, and its contribution to wide-ranging professional development in the theatre sector
Abbey Theatre For Free First Previews, an innovative measure which offers a broader audience increased access to the National Theatre
Corcadorca For its commitment to bringing theatre and audiences to unusual locations, the latest of which are old Cork prison in The Same and Spike Island in Far Away
Bewley's Cafe Theatre For providing space and support for lunchtime theatre in the heart of Dublin city since 1999
SPECIAL TRIBUTE
Eleanor Methven For challenging inequalities in Irish theatre, creating opportunities for positive change and, as a performer, always seeking richer ways to tell a story
The Irish Times Irish Theatre Awards take place at the National Concert Hall, in Dublin, on Sunday, February 25th; tickets €20