Stage Reviews
Accents review: The late Eoin French’s remarkable music accompanies Emmet Kirwan’s fatherhood search
The musician’s death adds a layer of grief to this autobiographical drama, in which Kirwan is an expectant father exploring what it means to be a parent
Madeira: Secrets of Sisters review – Four siblings, three actors and a tale that penetrates emotional barriers
Theatre: Two pairs of sisters visited by a moment of reflective clarity gain a new understanding of family
Paddy: The Life & Times of Paddy Armstrong review – Don Wycherley is incandescent in this journey from disaster to redemption
Theatre: Play is a devastating retelling of the injustice suffered by Armstrong and the Guildford Four
Beauty & the Beast review: On the way home, younger audience members re-enact scenes. There’s no higher recommendation
Alan Hughes and Karl Broderick’s interactive pantomime, directed by Simon Delaney, features the promising Caoileann Woodcock as Belle
Mary Poppins review: A practically perfect masterclass in storytelling for the stage
Theatre: This thrilling Cameron Mackintosh-Disney show capitalises on PL Travers’s original story, which has so much more to offer than the films
A Streetcar Named Desire review: Hot and bothered in New Orleans
Theatre: Cathal Cleary’s lucid production features a pleasingly young cast, including an impressively fluid Eavan Gaffney as Blanche DuBois
Red Riding Hood: Everyman’s warm-hearted panto sparkles with exuberance
Theatre: Grace O’Halloran, the production’s 11-year-old star, has an immediate, unforced rapport with the young audience
Cinderella: Cork Opera House puts on a spectacular, enchanting pantomime
Theatre: Megan Pottinger brings distinction of style to tile role
It’s Always Your Bleedin’ Own: A swooning comedy for Dublin after the riots
Theatre: Ericka Roe is note perfect in Thommas Kane Byrne’s fabulous version of Dublin’s inner city
Rigoletto at the Bord Gáis Energy Theatre: Excellent singing undermined by musical lapses and directorial miscalculations
Irish National Opera’s production of Verdi, featuring Michael Chioldi, Soraya Mafi and Bekhzod Davronov, is hampered on opening night
Emma review: Agreeably quirky take on Austen shakes the story’s structure a little too vigorously
Theatre: Toni O’Rourke plays Emma with gusto, and Hannah Mamalis is hilarious as Harriet. Despite some narrative overreaching, you’ll probably leave happy
Peter Pan review: Gaiety panto takes off with dizzying ensemble numbers and breathtaking effects
Theatre: The annual extravaganza, written, choreographed and directed by Daryn Crosbie, features terrific performances from the Billie Barry Kids
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