Rebellious Hope review: Seven dancers in search of connection with their audience
Dublin Theatre Festival 2026: Philip Connaughton’s impressive cast dismantle the divide between performer and spectator
Heroes of Tomorrow review: What does ‘tarnished’ money do to art? Brokentalkers try to find some answers
Dublin Theatre Festival 2026: What lingers is not grand declarations of artistic purpose but the quieter channels through which conviction travels
Trolley Boy at Dublin Fringe: Hollow consumer culture questioned through dance
Dublin Fringe Festival 2026: Contentment is not stacked on shelves in Diarmuid Armstrong Mayock’s supermarket dreamscape
The Act of Existing at Dublin Fringe: Who dances first, Ben or Bobbi? The audience decides
Dublin Fringe Festival 2026: Crowd has the power to be merciful in this interactive dance theatre
Colossus choreographer Stephanie Lake: ‘We’re a really small team, but we’re making big works’
The Australian is bringing her 50-dancer show to Galway International Arts Festival 2026
Colin Dunne: ‘I don’t want to call it a show. I don’t even want to call it a work’
For the Record, a collaboration with Becky Ní Éallaithe and Ultan O’Brien, combines the immediacy of a trad session with experiments in music and dance
A Belfast-Palestine dance collaboration: ‘The project is fraught with problems, but that didn’t stop us’
Belfast International Arts Festival 2025: Our Voice Together Now includes a trio of commissions in Belfast, Cairo and Ramallah
Dublin Jack, at Dublin Theatre Festival, looks behind sexual scandal to expose hypocrisy
Dublin Theatre Festival 2025: Conor Mitchell and Belfast Ensemble dramatise the life of John Saul
The Maker at Dublin Theatre Festival: A family show infused with charm and curiosity
Dublin Theatre Festival 2025 review: The Maker’s imagination and immediacy will appeal to very young viewers, its philosophical riddles to older children
Leaves, at Dublin Theatre Festival, reflects on care, growth, death and intelligence of nature
Dublin Theatre Festival 2025 review: production is more like a meditation on tender ecosystem of connection than an adaptation
At Reverb, at Dublin Fringe, the gleeful audience are carried along by the energy onstage
Dublin Fringe Festival 2025: Luail’s feelgood production celebrates togetherness through dance and music
Itch, at Dublin Fringe, is an honest, eye-opening account of the stress that accompanies a lifelong condition
Dublin Fringe Festival 2025: Christopher McAuley has not allowed eczema to define him. Now he’s celebrating his body
Offspring (A Modern Frankenstein) at Dublin Fringe: A subtle, personal exploration of creation and parenthood
Dublin Fringe Festival 2025 review: Emily Terndrup unleashes chaos, then controls it with comic timing
Scorched Earth review: An individual tragedy and a national malaise
Dublin Dance Festival 2025: Luke Murphy tackles Ireland’s obsession with land and the exclusion it leads to
Re:Incarnation review: A vibrant celebration of the eternal cycle of living
Dublin Dance Festival 2025: What speaks loudest in this show by 10 Q-Dance Company dancers is the immediate physicality onstage