Dublin Jack, at Dublin Theatre Festival, looks behind sexual scandal to expose hypocrisy
Dublin Theatre Festival 2025: Conor Mitchell and Belfast Ensemble dramatise the life of John Saul
The Maker at Dublin Theatre Festival: A family show infused with charm and curiosity
Dublin Theatre Festival 2025 review: The Maker’s imagination and immediacy will appeal to very young viewers, its philosophical riddles to older children
Leaves, at Dublin Theatre Festival, reflects on care, growth, death and intelligence of nature
Dublin Theatre Festival 2025 review: production is more like a meditation on tender ecosystem of connection than an adaptation
At Reverb, at Dublin Fringe, the gleeful audience are carried along by the energy onstage
Dublin Fringe Festival 2025: Luail’s feelgood production celebrates togetherness through dance and music
Itch, at Dublin Fringe, is an honest, eye-opening account of the stress that accompanies a lifelong condition
Dublin Fringe Festival 2025: Christopher McAuley has not allowed eczema to define him. Now he’s celebrating his body
Offspring (A Modern Frankenstein) at Dublin Fringe: A subtle, personal exploration of creation and parenthood
Dublin Fringe Festival 2025 review: Emily Terndrup unleashes chaos, then controls it with comic timing
Scorched Earth review: An individual tragedy and a national malaise
Dublin Dance Festival 2025: Luke Murphy tackles Ireland’s obsession with land and the exclusion it leads to
Re:Incarnation review: A vibrant celebration of the eternal cycle of living
Dublin Dance Festival 2025: What speaks loudest in this show by 10 Q-Dance Company dancers is the immediate physicality onstage
Dublin Dance Festival 2025: In Somnole, Boris Charmatz drifts like the mind before sleep. The result is compulsively unpredictable
The choreographer wanted to physicalise the workings of the mind. What has emerged is a rattle-bag of ideas full of whimsy and humour
Dublin Dance Festival 2025: In Oona Doherty’s Specky Clark, the body never lies
The choreographer’s fantastical take on the life of her great-great-grandfather will be woven into her family’s already rich oral history
Dublin Dance Festival 2025: At Chora, generations of choreographers, dancers and producers witness an auspicious debut
Luail resists the temptation of a slick, easy-to-digest premiere, instead presenting three dances that celebrate the intangible
Behind the scenes at Luail as Ireland’s national dance company prepares to open Dublin Dance Festival
Artistic director Liz Roche has programmed Chora, a triple bill. ‘The dancers are constantly shifting focus and vocabularies, which really requires agility’
Begin Anywhere review: A celebration of the artistic vision of Merce Cunningham and John Cage
Irish Modern Dance Theatre’s new work, by John Scott and Mel Mercier, is performed alongside Four Solos by Merce Cunningham
Tara Brandel: ‘I am always analysing power dynamics in performance. Who holds privilege? How is it expressed?’
The Croí Glan choreographer explains why she believes in the power of dance to be an agent of change
Begin Anywhere: ‘It’s like your daughter was told her dress wouldn’t arrive until the day of the wedding – but it’s a Dior!’
Choreographer John Scott and composer Mel Mercier have adopted techniques of Merce Cunningham and John Cage for new collaboration