Tom Lane

The riddle in Wayne Jordan’s limpid new version of the Greek tragedy is how anyone stays blind to the truth

Romeo’s love is a little more ice than fire in a production whose heart lies in its decadent set pieces

The harrowing ’A Girl is a Half-Formed Thing’ is hard to shake off

This tale, based on a 1939 court case, has chilling parallels with ‘modern’ Ireland

The spectacular opening show of the Tiger Dublin Fringe reimagined Dublin’s newest bridge as an ancient instrument

A daringly modern telling of Shakespeare’s comedy of desire, disguise and deception makes the play seem more true to itself