Tom Holland says quitting alcohol ‘the best thing I’ve ever done’
British actor made the decision after he’d been ‘scared’ by realising the extent of his dependence
Tom Holland
The Crowded Room: Punchy opening, schmaltzy ending – Tom Holland takes us on a bumpy ride
Television: Sasha Lane, from Conversations With Friends, shines opposite the Spider-Man star in this uneven psychological thriller
Morbius review: A Spider-Man spin-off written with a crayon and edited with a chainsaw
Neither of the first two Venom films were any good, but they both made mighty fortunes
Andrew Garfield: ‘I needed to be with these freaks and lunatics’
Now starring in The Eyes of Tammy Faye the former web-slinger is tipped for an Oscar
Spider-Man No Way Home film review: Oh no, it’s for the fans
The latest outing is still lighter on its feet than most of the Marvel Comic Universe
Aldi’s Christ the Carrot, Amazon’s fake kindness: The Christmas TV ads, 2021
Patrick Freyne: Disney’s ad is quite moving. M&S’s needs more existential angst
Donald Clarke: Not every villain needs a harrowing origin story
Timothée Chalamet’s Wonka is the latest example of trend that refuses to go away
Is post-Catholic Ireland unable to make sense of its Christian culture?
Perhaps the sacred and the secular are not as diametrically opposed as is often assumed
Four new films to stream this weekend
Judas and the Black Messiah, Coming 2 America, The Little Things, Cherry
Cherry: So what do you do after Avengers: Endgame?
Review: Make a dreary crime drama in your hometown, say the Russo Brothers
From Saoirse Ronan’s Ammonite to Spielberg’s West Side Story, 50 films to watch in 2021 (we hope)
The Covid-19 pandemic has caused a traffic jam of anticipated films for this year
Has Christianity been good for us? It depends on your history book
Unthinkable: Author Charles Freeman believes we shouldn’t forget the sectarian legacy of Christian churches
The Devil all the Time – Mania and depravity gives way to fractured narrative
The characters struggle to develop personalities beyond their collective, God-driven psychosis
Antonio Campos: ‘When I got into the New York Film Academy I lied about my age’
Devil All the Time director talks Southern Gothic, Netflix and the high cost of Elvis tunes
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