Juliet Stevenson: ‘My agent said: Go to Hollywood. I thought: I just can’t do this sh*t’
She comes to Galway next month (kind of) in an adaptation of José Saramago’s Blindness
Covid-19: British government criticised after Johnson tests positive
Administration accused of being careless after health minister also sidelined with virus
Kevin Barry: ‘I love reading my work. I’m 98% ham’
You can’t keep the darkly comic writer from the theatre – hardly surprising for a ‘frustrated actor’. He talks about his play Autumn Royal
‘It’s as if Saoirse Ronan was born in the theatre’ - Ivo van Hove
Ahead of a visit to Galway, the Belgian director reveals his vision for theatre, his admiration for Ronan and why he insists that actors tell him they love him
Elvis Costello, Enda Walsh and Hughie O’Donoghue announced for Galway
Suede, a new work inspired by Eileen Gray and US model Cameron Russell are also on the July arts festival bill
‘People might be cross that some English bloke has desecrated a classic’
Director Seán Holmes had never seen The Plough and the Stars staged – until his current version went up at the Abbey Theatre
Peter Crawley’s 2015: Gender and history get a stunning makeover
From DruidShakespeare to Waking the Feminists, 2015 was all about changing perspectives
DTF review | The Curious Incident of the Dog in the Night-Time : Dazzling spectacle plus simple story is a winning equation
The acclaimed drama of a gifted but different teen’s family investigations yields startling theatrical fireworks
Simon Stephens: Curious incidents, inventions and lies
Can a main character who resists emotion and metaphor survive on stage? Simon Stephens takes on the challenge in his adaptation of ‘The Curious Incident of the Dog in the Night-Time’
Heavyweights and new voices brand Dublin Theatre Festival
The festival has shunned an obvious theme in favour of reaching a wider audience
The Gigli Concert: ‘What’s an Englishman doing directing a revered Irish classic?
Tom Murphy’s great play, currently at the Gate, subverts Irish and English stereotypes. How did director David Grindley rise to the challenge?
How to be Decadent in a time of hardship for Irish theatre
Andrew Flynn, Decadent Theatre Company’s director, has an unusual ability to combine artistic passion with the deal-clinching pitches of a travelling salesman
Review: Sea Wall
Simons Stephens’ Sea Wall is built on the awesome power of the unknown, and in Andrew Scott’s mercurial hands it will seduce and destroy you
Stephen Rea recognised for outstanding contribution
The best in theatre of past year are honoured at ‘Irish Times’ award show
A thrillingly intimate 30 minutes with Andrew Scott
He stole the show in Sherlock and is about to break into Bond – but it’s Sea Wall that has had the biggest impact on his work
Stephen Rea to receive Irish Times Special Tribute Award
Award is part of the celebrations at this year’s Irish Times Irish Theatre Awards
Teenage kicks, teenage angst
Simon Stephens’s ‘Punk Rock’ is coming to the Lyric, in a statement of intent by the Belfast theatre’s new boss. So will it deliver something ‘live, direct, physical and unpredictable’?
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