Sissy Spacek: ‘Weinstein did some unsavoury things. He could never look at me after that’
The star of Carrie, Badlands and Coal Miner’s Daughter on her decades-long career
Oscars 2022: Who should win, and who will win?
Ireland has its biggest haul of nominations since 2016, but has won few awards so far
David Baddiel: If casting minorities matters, why should Jews be any different?
Why shouldn’t ‘authentic casting’ apply to all minorities, including Jews?
Spider-Man No Way Home film review: Oh no, it’s for the fans
The latest outing is still lighter on its feet than most of the Marvel Comic Universe
The best new TV shows to watch in February and March
First Dates Ireland, Home of the Year, Line of Duty return. Eve Hewson stars in Behind Her Eyes
Dublin International Film Festival 2020: Memorable matriarchal themes
Writer, actor and activist John Connors has two directorial efforts in the festival
21 Bridges: Juicy gunplay, but a bonkers plot
Review: Is this the best we can hope for now from cop thrillers?
Oscars 2015: And the Oscar for best predictions goes to . . .
‘Birdman’ and ‘The Grand Budapest Hotel’ each take four awards at 87th ceremony
Playing through the pain: Whiplash’s offbeat version of jazz
Is Damien Chazelle’s film an accurate representation of what it takes to make it in music? We sent a jazz drummer to find out
Whiplash review: JK Simmons’s jazz drumming drill sergeant deserves acclaim
Damien Chazelle’s bravura debut treats the drumkit as a theatre of war
‘Boyhood’ wins Best Drama at Golden Globes
Richard Linklater takes top prize for coming of age film at Beverly Hills awards ceremony
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