Review: Looking for Work
The anti-style of Martin Sharry’s severely minimal new play takes a hatchet to both bourgeois conformity and representational theatre. But does it work?
Review: Dangerman/Some Baffling Monster
A curiously unsettling double bill from the deadpan Dick Walsh teases out the options within politics, stories and free will. Do we really have a choice?
Neutral Hero
Richard Maxwell takes the individuality, drama, poetry, mimesis, emphasis and virtuosity out of the story of a hero . . . so what’s left?
Seven-day schedule: Make the most of Dublin Theatre Festival
Seven shows, seven restaurants, and seven options; here’s a week’s worth of suggestions and great nights out for this year’s festival
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