Exit, Pursued by a Bear: Pan Pan’s loose retelling of Shakespeare contains flashes of real artistry
Dublin Theatre Festival 2024: Manuel Zschunke is particularly compelling as the paranoid king Leontes in an uneven reimagining of The Winter’s Tale
Pan Pan
Theatre company
A bear walks into a rehearsal room: In Pan Pan’s new twist on The Winter’s Tale, the animal finally gets to tell the story
Dublin Theatre Festival 2024: Exit, Pursued by a Bear might sound absurd, but it opens up a world of dramatic connections
History Play review: Alive to revisionism and the unlit corners of the past
Dublin Theatre Festival 2023: Pan Pan’s nightmare is not that unsettling to awake from
Ruth Negga: Playing Hamlet nearly killed me
She first played Shakespeare’s prince in Dublin. Now she’s reprising the role in New York
Endgame review: A grim depiction of entropy and finality
Pan Pan’s production doesn’t so much revivify Samuel Beckett’s play as submit to it
Acting out the apocalypse – in dustbins
The cast of Pan Pan’s upcoming Endgame talk about Samuel Beckett’s enduring relevance
Can experimental theatre be sentimental?
Inspired by the loss of its home, Dublin Youth Theatre partners with Pan Pan to contemplate youth and adulthood in The Sleepwalkers
‘The only message I’ve peddled is that we’re headed for the apocalypse’
Don’t laugh at Edward Aczel’s awkward attempts at comedy – he’s trying not to be funny. But, as his new stand-up show, ‘Is Ed Aczel Infinite?’ proves, anti-comedy can be timeless
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