The Cripple of Inishmaan review: Outlandish tales and dark distortions
This new production of Martin McDonagh’s comedy is wise not to play it straight
A Skull in Connemara review: Rich drama of perverse satisfaction
Decadent Theatre’s production draws out darkness of McDonagh’s Gothic work
How to be Decadent in a time of hardship for Irish theatre
Andrew Flynn, Decadent Theatre Company’s director, has an unusual ability to combine artistic passion with the deal-clinching pitches of a travelling salesman
Review: Defender of the Faith
Decadent Theatre’s canny revival of Stuart Carolan’s play carries echoes of his TV show Love/Hate
Set for success: the art of making ‘playgrounds for the actors’
The worlds represented in the four nominations for best set in the ‘Irish Times’ Irish Theatre Awards are very different, but they all fit somewhere between pragmatism and poetry
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