Divine Madness review: Where the voice starts dancing and the body starts singing
Meredith Monk’s credo is at the heart of John Scott’s dance-based exploration of the physicality of the operatic soprano
From first principals to second fiddles: life in an Irish orchestra
Playing in the RTÉCO is no easy task, not least as rumours swirl about its future
This week’s theatre highlights
Looking out for one another: Stage highlights take dispiriting look at blame, victimhood and apathy in society, and wonder about how to rebuild trust
‘It’s still a crazy John Scott piece’: a veteran choreographer on his new work
Irish Modern Dance Theatre’s Bach-inspired ‘Inventions’ premieres at Kilkenny Arts Festival
Nabokov’s ‘Lolita’: What do we do with the art of monstrous men?
Junk Ensemble’s new production tells the ‘Lolita’ story from the young girl’s perspective
Review Object Piggy: Aerial sequences serve drama rather than being main event | Tiger Dublin Fringe
Show rewards viewers who sit back and observe the whole, rather than glancing around in search of meaning
Damn the circus: It’s tough at the circus top
Damn the Circus makes you laugh and gasp, and there’s no doubting the graft in the craft
Wage against the sexist machine
The revolution starts with the individual, and Wage is a call to action
Jean Butler’s latest steps seductive and intriguing
Irish roots still show but mood more introspective
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