Nathan Sherman & Alex Petcu: Totemic – a well-executed debut
The viola and percussion duo mix three specially written works with one 1980s classic
Rhona Clarke: Sempiternam choral music review – certain gestures a little cliched
Clarke is fond of graduated spills of sound
‘The challenge for women in music is the lack of institutional support’
Participants in Finding a Voice, a festival of music by female composers, have their say
Raff: Complete Works for Cello & Piano – not quite a silk purse
Christoph Croisé and Oxana Shevchenko show this limited composer in his best light
Sam Perkin: Flow album review – Pass the joint
Time is stilled on Perkin’s new release
Modest Mussorgsky Unorthodox Music review – Treasure trove of vivid storytelling
The celebrated song-cycles are sliced through for samples rather than presented completely
Malachy Robinson: The Irish Double Bass review – Strings core to this personal release
Another album from lockdown, Robinson is aided by pianist Gary Beecher
Edmea: A psychological slant on a popular work
Wexford Festival Opera: Chorus and orchestra overcome Covid-restricted numbers with gusto
Dave Flynn: Irish Minimalism – A mixed engagement with the tradition
Flynn’s takes on the Irish tradition can come across as rather too emblematic
Christina Petrowska-Quilico: Retro Americana review – A dry piano record
American composers Cowell, Rzewski and Monk are the attractions here
Mozart: Sonatas for piano four hands – up close and personal at the keyboard
Ferenc Rados and Kirill Gerstein achieve a rare intimacy on these duets for one piano
Sitkovetsky Trio: Ravel & Saint-Saens Piano Trios review – energetic rendering accentuates mystery
Trio finds the colours and ebb and flow to bring out the mystery in the Ravel
Music Ireland and the Sixteenth Century: The Irish Consort – Enchanting harp
In sure hands, the nail-plucked, metal-strung Irish harp displays an ethereal magic
A French Connection: Chausson, Debussy, Franck – Alluring arrangements and sensual delivery
Violinist Daniel Rowland and pianist Natacha Kudritskaya helm this appealing collection
Mozart/Jones review: Fascinating take on late fragments
Sensitive performances with a focus on pieces for piano with violin
Francesca Dego: Il Cannone review – Refinement and control
Dego seems to have developed an immediate affinity for Paganini’s violin
Embers: Haunting, unsettling evocations of the past
Works by Irish composer Raymond Deane enclose a much longer piece by Ukrainian Valentin Silvestrov
The Trials of Tenducci, A Castrato in Ireland – exploring musical connections
Tara Erraught, Peter Whelan and the Irish Baroque Orchestra evoke Dublin in the 1700s
Brahms: Sonatas Op 120 review – A redefined approach to music
Antoine Tamestit and Cédric Tiberghien play with individuality and intimacy
Relive: Live orchestral works that capture a time and place
Pieces by Jane O’Leary, Peter Dickson Lopez and Corrina Bonshek still resonate
Chiaroscuro Quartet: Haydn String Quartets Op 76 – magicians at work
The quartet achieves a well-nigh perfect balancing of parts that seems impossible
Finghin Collins: ‘Ireland has done extremely well for the arts online’
The pianist on Music for Galway and working on his repertoire during lockdown
Swan Hennessy Selected Piano Works review – Mildly picturesque
The Irish-American composer wore a range of musical hats
Linda Catlin Smith: Meadow review – Deeply meditative
The first in Louth Contemporary Music Society’s series of pandemic recordings
Chamber Choir Ireland and Irish Chamber Orchestra: Letters review – Recording is extremely vivid
Singing and orchestral playing is on fire
Linda Buckley: From Ocean’s Floor review – Moodily dark soundtrack
The Kinsale composer’s work is dominated by morphings of electronic sounds
Jörg Widmann, Denis Kozhukhin, Irish Chamber Orchestra: Weber review – glowing composer brought out of the shadows
Widmann makes a passionate plea for this brilliant but oft-neglected German composer
Tabea Debus: Ohrwurm review – tunes that will dance around in your head
The German recorder player explores how ‘earworms’ burrowed into European music
Wexford Factory performers at heart of this year’s Opera Festival productions
Singers will appear in Waiting for Shakespeare and Falstaff and more
Karen Power: Human nature review – A kind of magic carpet
Recordings have atmospheric vividness and rich spatialisation
John F Larchet’s Complete Songs and Airs: Musical comfort food
Review: Irish composer’s soft-edged songs are perfect for nostalgic reconnection
Anakronos: The Red Book of Ossory review – Medieval eclecticism
Pure-voiced Caitríona O’Leary and friends draw on a range of medieval musical sources
Irish language project commissions 50 songs from composers at home and abroad
Michael Dervan speaks to six composers about themes of grief, nature and lamentation
Wexford Festival Opera appoints new artistic director
Italian-born Rosetta Cucchi has been involved with the festival since 1995
Consent classes, Dublin protest, civil rights
News, views and opinions from Student Hub contributors and Irish Times writers
The magic of Monteverdi and what he means to us
Participants in the first Irish production of ‘The Return of Ulysses’ talk to Michael Dervan
NCH to take over National Symphony Orchestra from RTÉ
Cabinet opts not to keep NSO within broadcaster or establish it as a separate institution
West Cork Chamber Music Festival: big ideas, big subjects, big music
Deirdre Gribbin’s Kindersang addresses the plight of 10,000 Jewish brought to Britain and Northern Ireland the outbreak of the second World War
Orchestral manoeuvre will undermine RTÉ in the long term
Helen Boaden’s report reveals treatment of orchestras that is counter-productive
Powder Her Face review: Thomas Adès opera about Duchess of Argyll
Duchess’s sexual voracity is focus of opera with unflagging singers and INO Orchestra
Ticket Awards 2017: The best music of the year
Kendrick Lamar, St Vincent, Lorde, and SZA reigned supreme this year, while the Irish music scene has never been so vibrant
Going out or staying in? The best shows, exhibitions and TV to see this weekend
City of London Sinfonia at the NCH, ‘This Beach’ revived from Fringe, BBC’s ‘Howards End’
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