‘I don’t like Jack Reacher that much’: Lee Child and fellow crime writers on their creations
John Connolly, Sarah Paretsky, Michael Connelly and more on a sometimes love/hate relationship
Six of the best films to see at the cinema this weekend
New this week: Assassination Nation, Shoplifters, The Girl in the Spider’s Web and The Camino Voyage
Widows: funny, twisty, implausible heist caper delivers unashamed thrills
Review: Steve McQueen tries to cram in too much good stuff – but there's no crime in that when it's such good stuff
Celebs go Dating: Shallow, fickle, anxiety-ridden narcissists – they’re just like us really
Reality TV: Like all forms of modern dating, the show remains a compelling mix of humiliation and blind egotism
Toronto may not have the Cannes kudos, but the gap is closing
Audience input and domestic films make TIFF more than just an Oscar barometer
McQueen’s ‘Widows’ so consistently funny that flaws hardly matter
Toronto film festival: British filmmaker honours series while imprinting his own visual stamp
‘Rosie’ may be an ‘issue film’, but it is charged with raw emotion
Film tackling homelessness crisis premieres at Toronto International Film Festival
Irish films in the mix at Venice and Toronto festivals
The Favourite from Yorgos Lanthimos will compete for the Golden Lion at Venice and John Butler’s Papi Chulo will premiere at Toronto
Which films will be up for next year’s Oscars? These ones will
Donald Clarke predicts 2019’s Best Picture nominees. He was nearly half right this year
Colin Farrell: ‘I’m so ready to step away, to live a little’
The Dubliner wants a break from acting but he's not about to do a Daniel Day-Lewis
Mindhunter’s clichéd characters add nothing new to latest Netflix drama
David Fincher’s show may yet evolve but for now most audiences could write the script themselves
Viola Davis: Fame ‘means everything and nothing to me’
Golden Globe winner tipped for an Oscar for ‘Fences’ is, at 51, taking success in her stride
Crime fiction: How Prime Suspect’s Jane Tennison turned into a trailblazer
The young policewoman has a baptism of fire in Lynda La Plante’s latest novel, set in 1973
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