Live theatre was getting interesting. Then Covid arrived
Several new plays were due on the country’s big stages, a rare sight
This Beautiful Village: One-note characters addressing a symphony of concerns
Theatre review: Lisa Tierney-Keogh’s middle-class satire is somewhere between Yasmina Reza and Bernard Farrell
‘I still feel so connected to America, but grateful to be gone’
I have watched this week’s events from afar in a state of numb exhaustion
Meghan’s Irish roots, Irish ‘breeder girls’, and prepping to become a Dubliner again
Top stories from Irish Times Abroad this week
Gate report: ‘I left Ireland to escape this culture of silence’
Opinion: The Gate won’t publish its Michael Colgan report. Action is needed
America is home to many brave people, but it's no longer the land of the free
Why are decent, hard-working people being chased out of the country they call home?
I’ve learned the hard way to dress modestly in New York
Men like Harvey Weinstein are everywhere. But women across the globe are finding their voice
Druid Theatre defends criticism of all-male 2017 programme
Lack of female playwrights described as ‘disappointment’ after Waking the Feminists
Waking the Feminists takes to the US stage
The theatre protest movement held two events in NYC, with organiser Lisa Tierney-Keogh saying its time to ‘kick the f**king door down’
Culture Shock: The great art and terrible example of theatrical suicides
Great theatre tends to give suicide a power and a glamour it must not be given in society. With ‘Four Last Things’, Lisa Tierney-Keogh attempts to make a play about a suicide that does not give the act meaning and drama but still works as theatre
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