Female Composer Series at NCH: a small step for women in music
The Sounding the Feminists initiative hopes to redress the gender balance in composition
Scottish bard Ossian ‘fabricated’ from Irish mythology
Researchers link mathematical properties of ‘epic’ texts to hero tales of Fenian cycle
Muscular chamber orchestra delivers Brahms without the dadbod
The Swedish Chamber Orchestra offered an alternative to ‘stouter’ performances of Brahms's second symphony
Diabelli’s Variations and the Hugh Lane’s mysterious moving piano
The original theme lacked grandeur, but such portmanteaus can be a source of creativity
An incurable romantic: who is the Max Bruch of the 21st century?
The German composer clung to the same style throughout his career – do any modern counterparts keep the faith?
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