The Importance of Being Earnest review: Wilde wins again
As his parade of double lives spills out of the closet, Oscar Wilde peers down on a production that is almost entirely at his service
A View from the Bridge review: A moderate rendering of Miller
A dutiful, illustrative staging of Arthur Miller’s 1956 drama rather than a freshly invigorating one
Review: Wuthering Heights
The moors of Emily Brontë’s novel are raging and unruly, peaceful and polite. Is the new Gate adapation torn between two worlds?
Review: Brigit
A prequel to his masterful Bailegangaire, Brigit fleshes out a complex family history, but Tom Murphy’s new play is a more vivid portrait of the artist
Funeral of actor Susan Fitzgerald told of her serenity facing death
Priest recalls an ‘extraordinary’ person
Long distance warning
Ibsen’s whistle blower brings us worrying news from Norway via Arthur Miller’s America
A subversive comic drama and an earnest comment box
Everyone has a double identity in Bernard Shaw’s play. So does the Gate’s new production
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