Rosaleen McDonagh: ‘This is the best moment of my life’
Aosdána member on surviving Covid-19, racism against Travellers and reclaiming power through writing
Hilda Fay: On My Culture Radar
The actor on her love for Barcelona, The Honest Actors’ Podcast and Mick Flannery
Latest movies reviewed: All films in cinemas this week rated
The Irish Times what-to-see guide to the movies now in cinemas across Ireland
Float Like a Butterfly: An Irish boxing movie that stirs the blood
Review: The story, vaguely inspired by Katie Taylor, is about a Traveller girl who trains herself to boxing excellence
Abbey Theatre uproar: 300 actors and directors complain to Minister
National theatre’s new policy sees pay ‘fall 25%’ and overall employment ‘dry up’
Dublin Fringe Festival: What should I see this year?
The 2018 event includes productions on shame, fatherhood and an Aer Lingus hijacking
The Snapper review: Fuzzy memories with intriguing adjustments
The Snapper has been brought to the stage. But, with the benefit of hindsight, what can the stage bring to The Snapper?
Ruth Negga as Hamlet: Outsiders are in at the Gate theatre
Gate breaks from its painful recent past with ‘The Snapper’ and an innovative ‘Hamlet’
Cyprus Avenue and The Plough and the Stars: the best theatre of the week
Stephen Rea stars in David Ireland’s scabrous comedy; the Abbey’s O’Casey returns
Annie review: The sun comes out as we drink our tears
A lavish, pitch-perfect production with a patina of pathos
Tina’s Idea of Fun review: An unpalatable sandwich in working-class Dublin
This production seems unsure whether to treat Sean P Summers’s new play as political allegory or carnival
Art review: Roger O’Neill at The Complex
The arts centre has had a chequered, nomadic history but things are looking up
Pantos, grottos and great places to see Santa
Things to do and shows to see with children over the Christmas holidays
Band of brothers: the Lockout with music and dancing
The Abbey Theatre’s adaptation of James Plunkett’s 1958 play ‘The Risen People’ takes in elements of music hall and vaudeville, and discards Jim Larkin
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