Ensemble Marsyas/Peter Whelan: Edinburgh 1742, Barsanti & Handel, Parte Seconda
Whelan’s airy, sprightly approach captures well the pleasurably frisky energy
‘Powder Her Face’, New Music Festival: the best in opera and classical music this week
From the scandalous opera by Thomas Adès to new work by Crash Ensemble
Peter Whelan: a man of many parts
Whelan has moved from wind section to the podium as artistic director of the Irish Baroque Orchestra
The way to Wexford: a strange beauty behind the scenes at the opera
Attending rehearsals of a Massenet double bill ahead of the Wexford Festival Opera was a deja vu experience
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