Horror director Eli Roth: ‘All you can do is prepare your child. You can’t protect them’
As his latest film, Ice Cream Man, is released, the film-maker explains why horror can’t be just ‘gross and repellent’. It has to be clever too
Eli Roth
Night Always Comes review: Vanessa Kirby gives it her all, but this poverty theme park isn’t worth the entrance fee
Willy Vlautin adaptation soon abandons its promising real-world dilemma as it swerves into unconvincing low-life criminality
Borderlands review: Cate Blanchett plays an intergalactic bounty hunter in Eli Roth’s straight-up, uncomplicated pulp
The problems mount when this wacko video-game adaptation decides it wants us to care about the stupid, stupid plot
Thanksgiving director Eli Roth: ‘Seeing all these Black Friday tramplings, we thought this is a fantastic way to open a horror film’
What began as a joke 1980s trailer in Quentin Tarantino and Robert Rodriquez’s Grindhouse is now a very contemporary slasher
Eli Roth: ‘At a certain point there’s no more body parts to chop up’
The once gore-happy director has made a kids’ film, The House with a Clock in its Walls
Is this the first Bruce Willis movie written by Russian trolls?
While Death Wish doubles as a commercial for the gun lobby, its alt-right posturing is undermined by its uneven, head-scratching tone
Takashi Miike: 'Manga was a magic that gave children dreams'
Between his 103 directorial credits, Takashi Miike has staged a Kabuki play, created dozens of music videos and documentaries, and even made kids' shows
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Stardust
Inquests into the nightclub fire that led to the deaths of 48 people
Common Ground
How does a post-Brexit world shape the identity and relationship of these islands
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