Review: I am Tonie Walsh. What is a club DJ if not a keeper of records?
Walsh chronicles several turbulent decades of progress and setbacks in his solo show
Butterflies and Bones review: blood and thunder
Roger Casement is (again) centre stage, but this time it’s the dance world that’s exploring the many facets of his life
Video: Cillian Murphy and the Gleesons lead tributes to producer Anne Clarke at Irish Times Irish Theatre Awards
The event also featured video tributes to Waking the Feminists and the year in theatre
DTF Review | Oedipus: A blindingly obvious fate, in a crystal clear production
The riddle in Wayne Jordan’s limpid new version of the Greek tragedy is how anyone stays blind to the truth
A bumpy journey through Bach masterpieces at Kilkenny Arts Festival
A performance of JS Bach’s Mass in B Minor was the real highlight of the arts festival’s first weekend
Theatre review: Romeo and Juliet
Romeo’s love is a little more ice than fire in a production whose heart lies in its decadent set pieces
Taking literature in Irish out of the Gaelic ghetto
Bob Marley agus Bob Dylan as Gaeilge? Liam Carson, director of the IMRAM Irish Language Literature Festival, which starts this Thursday, explains how it seeks to place the Irish language and its literature at the heart of public life within a modern, energetic and multicultural framework
Casual sex changes in ‘Twelfth Night’
Subversive gender play in Shakespeare’s comedy enabled it to explore prohibited desires, and the Abbey’s update keeps things ‘a bit dangerous’
Review: Twelfth Night
A daringly modern telling of Shakespeare’s comedy of desire, disguise and deception makes the play seem more true to itself
The Threepenny Opera
Director Wayne Jordan restores the satirical and human bite to an opera of opulence and economy
Brecht effect: bourgeois bashing with catchy tunes
‘The Threepenny Opera’ began in disaster and grew into a triumph – a new Irish production hopes to burnish its agitprop credentials
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