French social discontent gets a look-in at Cannes
Flying saucers turn out to be recurrent motif, as zombie comedy gets mixed reception
Staying Vertical Cannes review: more madness than method
A fine visual style, with strange and beautiful sights, but absurd shifts make this Alain Guiraudie film too jarring
The world according to Brady Corbet
Hollywood has been trying to get Brady Corbet onside for years, but he’s having none of it. “I was always passionate about movies, not about being in them,” says the star of Simon Killer
Carlos Reygadas’ ‘Post Tenebras Lux’: decapitations, bad sex and mysterious demons
Carlos Reygadas, stubbornly avant garde Mexican director, discusses his challenging new film
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