Cannes Film Festival: Ken Loach picks up second Palme D’Or
British film-maker’s win for ‘I, Daniel Blake’ leads evening of surprises in southern France
The Last Face Cannes: Nothing can disguise the jaw-dropping imbecility of this project
Sean Penn delivers a film that suggests he may need to stick to his investigative reporting day job
Pericles the Black: a smudged antihero on the lam
Riccardo Scamarcio never wavers even as this Mob film loses its way
Risk Cannes review: Julian Assange is back in the spotlight
Laura Poitras returns with a documentary on Assange that’s a sprawling ridealong through the cyber wars
The Red Turtle Cannes review: Studio Ghibli makes a stylish return
Nerve-wrecking action and a castaway story make for a thrilling, fresh creation
Graduation Cannes review: A brilliant study in the small evils of cronyism
Director Cristian Mungiu follows a logic that begins with “Do me just this one favour . . . ”
It’s Only the End of the World Cannes review: the festival’s largest disappointment so far
At the grand age of 27, Xavier Dolan has finally made a poor film
Cannes bidding war hots up for Martin Scorcese’s 'The Irishman'
Film-maker to reprise relationship with De Niro and direct for first time . . . Al Pacino
Personal Shopper Cannes review: Kristen Stewart film gets booed at festival
The Cannes crowd react to a ghost story with no scares and a psychological drama with no grip
Cannes review: Loving. Ruth Negga shines as one half of a couple who changed the US
Jeff Nichols’s film about a couple who were arrested and expelled from Virginia for falling foul of anti-miscegenation laws refuses to take the obvious path
Paterson Cannes review: Pure, filmic poetry
Jim Jarmusch latest film is deceptively rich with its elements in perfect balance
Female voices to fore in first half of Cannes Film Festival
Maren Ade’s ‘Toni Erdmann’ is a strong early contender for Palme d’Or
The BFG review: It's no catastrophe, but it's no E.T.
Steven Spielberg directs Roald Dahl’s classic tale which is playing out of competition in Cannes
Ma Loute/Slack Bay Cannes review: gorgeous, funny and a bit infuriating
Juliette Binoche throws herself at the camera with admirable abandon, but Bruno Dumont’s brave step into comedy frustrates as often as it delights
I, Daniel Blake Cannes review: a deeply moving, darkly funny drama
Ken Loach and Paul Laverty continue their longtime collaboration with a skull-shaking study of the Kafkaesque lunacy of Britain’s benefit system
Woody Allen rejects culture of judgment at Cannes festival
Controversy stoked by MC’s bizarre joke about director and rape at opening ceremony
Café Society Cannes review: the brand new old thing
Woody Allen’s new film for Amazon welds together his typical party pieces, with Jesse Eisenberg and Kristen Stewart playing with charm
Money Monster Cannes review: Jack O'Connell seethes around George Clooney's vulgarity
Jodie Foster delivers her best directorial effort yet in this starry financial thriller
Sieranevada Cannes review: ample food for thought amid all the long takes
Despite some inevitable longeurs during its defiant three-hour running time, Cristi Puiu follow-up to The Death of Mister Lazarescu remains gripping and amusing
Cannes Film Festival 2016: Established masters - and some fresh faces
Three female directors out of 20 will compete for this year's Palme d’Or - in 2012 there was none on the list for the top prize
Cannes Film Festival set to save cinematic souls from limbo
Woody Allen in line to set record while Pedro Almodóvar and Cristi Puiu eye Palme d’Or
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