The Souvenir Part II: There is nothing else quite like this in cinema
Joanna Hogg’s quasi-autobiographical film may divide opinions, but that’s no bad thing
Mary Magdalene: Who are you calling a prostitute?
Review: Rooney Mara is as focused as ever in Garth Davis’s mildly revisionist biblical drama
A revolting orgy of indulgence laced with brilliance of so many images
Despite the Night review: Philippe Grandrieux’s film takes us to pretentious parties and horrible porn shoots
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