Built fabric of towns much more than product of economics
Housing shortage and city culture must be approached with care not expediency
Designer treatment at terrace two bed beside Croke Park for €450k
This well-connected Dublin redbrick was redesigned by an award-winning architect
Endgame review: A grim depiction of entropy and finality
Pan Pan’s production doesn’t so much revivify Samuel Beckett’s play as submit to it
Beckett’s Room review: A play with no performers and plenty of magic
Dublin Theatre Festival: Dead Centre’s ambitious new work depicts Beckett’s formative years in Nazi-occupied Paris
A Very Old Man with Enormous Wings review: A children’s story for a sceptical age
Dublin Fringe Festival: The charmingly offbeat adaptation of Gabriel García Márquez brings magic realism to all ages
The play with no performers: Beckett’s Room is something between a conjuring act and a weird dream
As the world that made Samuel Beckett who he was becomes magically apparent, the point of Dead Centre’s unusual approach begins to makes sense
Warrior women at work
Ireland boasts an impressive number of female artists who have mastered the toughest traditional skills to create enduring art forms
Hamnet is a child frozen in time to devastating effect
And Sebastian Barry delivers a superb prison drama at this year’s Dublin Theatre Festival
Heresy review: Giordano Bruno’s dramatic journey from monk to martyr
Impressive singing from a versatile cast is supported by a recorded Roger Doyle score
Pan Pan co-founder Aedín Cosgrove gets into the mind of Samuel Beckett
Pan Pan’s new production of Cascando is a journey through the labyrinth of the mind - and a fascinating lens through which to see Beckett
Set for success: the art of making ‘playgrounds for the actors’
The worlds represented in the four nominations for best set in the ‘Irish Times’ Irish Theatre Awards are very different, but they all fit somewhere between pragmatism and poetry
Close to the bone: getting into Beckett’s headspace
Pan Pan’s production for stage of a 1959 radio play continues the ‘deregulation’ of the Beckett industry
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