It’s Only the End of the World review: an unfocused sort of homecoming from Xavier Dolan
Dolan’s entry into the Weekend in Family Hell genre is certainly adventurous, but woefully miscast, and ultimately fails in its ambitions
Tom at the Farm/Tom à la Ferme review: a work of genius
This isn’t a work of narcissism. It’s a work of genius. See it and try getting it out of your head. Just try.
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