Wayne Jordan: ‘I didn’t feel like an artist anymore, but an interior designer’
The theatre director’s new show, Leaving, is a powerful departure for the returned emigre
Rough Magic theatre, 35 years on: ‘Dublin in those days was so bohemian’
Company reflects on decades of casting spells and pushing the envelope with its productions
The Misfits review: An intimate character study in a stripped-back Wild West
Dublin Theatre Festival: Annie Ryan has sensitively adapted Arthur Miller’s drama
‘Not a Funny Word’ and ‘Assassins’: this week’s best theatre
Tara Flynn’s splendid one-woman show and Stephen Sondheim’s roll-call of political killers
Butterflies and Bones review: blood and thunder
Roger Casement is (again) centre stage, but this time it’s the dance world that’s exploring the many facets of his life
Tiger Dublin Fringe: five ways to choose what to see
From Panti Bliss and Hot Brown Honey to The Vaudevillians, here’s what you might pick
DTF review ¦ I’m Your Man: Redemption through the power of love and music
Mark Palmer and Thisispopbaby create a rock and roll journey through Matthew’s passion
The best of Irish theatre: this year’s nominees
Announcing the ’Irish Times’ Irish Theatre Awards shortlist for 2013. Terrible financial circumstances did not limit the diversity of productions, from knockout operas to one-man shows
Taking off: Belfast Festival shows signs of a revival
A lack of continuity at the top has hurt the festival in recent years, but new man Richard Wakely has made a good start
A Joycean stream of consciousness
Olwen Fouéré’s performance gives voice to the river in James Joyce’s unfathomable ‘Finnegans Wake’. It’s sink-or-swim time
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