The Degenerate: The Life and Films of Andy Milligan review – below the bottom of the barrel
By Tara Brady
Pulp - What Do You Do for an Encore? review: Alchemy of such a band cannot be replicated
By Tara Brady
Fall 2: Deadpoint review – Sequel to a pleasingly silly survivalist horror is thin gruel
By Tara Brady
Oasis: Don’t Look Back in Anger – Tears, tantrums and Gallagher kids getting spangled every night
By Tara Brady
First Look review: Wild Horse Nine – Martin McDonagh’s film is powered by bromantic barbs and imperialist skulduggery
By Tara Brady
Leviticus review: Puppy love has seldom been so terrifying in this zeitgeisty horror
By Tara Brady
First Look review: Bucking Fastard, mystery of Irish cinema, unveiled in all its peculiar glory
Stop! That! Train! review: RuPaul disaster-movie comedy is flimsy but far from a drag
By Tara Brady
Teenage Sex and Death at Camp Miasma review: Jane Schoenbrun’s maximalism fascinates and frustrates
By Tara Brady
Tony review: Dominic Sessa captures the contradictions of Anthony Bourdain in fond biopic
By Tara Brady
The End of Oak Street review: Ripping sci-fi entertainment as Anne Hathaway fights dinosaurs
The Summer Book review: Lovely moments in unhurried adaptation of treasured Tove Jansson novel
Have You Never Heard of Bill Fuller? review: An Irish showman with ties to Johnny Cash, a famed Dublin venue, the Mafia and gold digging
Nimrods: A Green Day Comedy review – likeable coming-of-age tale with band as support act
By Tara Brady
Ish review: Two real-life best friends lead impressive coming-of-age feature debut
By Tara Brady
What Happened to Dorothy Bell? review: A reason to keep faith in found-footage horror
By Tara Brady
Spider-Man: Brand New Day review – Summery fun but it might as well have a barcode on screen
An Irish Atlantic Rainforest review: Strikingly beautiful documentary unearths an alien world
A Useful Ghost review: Audacious debut blends supernatural comedy with the thorniest satire
By Tara Brady
Saccharine review: Nobody says Ozempic, but it’s clear what inspired this stomach-churning body horror
By Tara Brady
The Odyssey review: Set aside any doubts. This star-studded film is Christopher Nolan at his best
Effi o Blaenau: Engaging Welsh-language film follows its own Greek mythology path
By Tara Brady
The Invite review: Problems of privilege play out in a canny comedy of toxic luxury and unease
Nirvanna the Band the Show the Movie review: Improvised fun expanded into diabolically clever comedy
By Tara Brady
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