Tuner review: At 88, Dustin Hoffman still has it opposite Leo Woodall in old-school thriller
Fairyland review: A fond, wise chronicle of parenthood through turbulent decades
By Tara Brady
Backrooms review: Kane Parsons’s exquisite direction brings web’s scariest creepypasta to the big screen
By Tara Brady
Cannes First Look review: Lola Petticrew shines in I See Buildings Fall Like Lightning’s Irish line-up
By Tara Brady
Cannes First Look review: Minotaur – grim chronicle of a selfish, privileged class willing to look the other way
By Tara Brady
Cannes First Look review: Fjord - Nail-biting drama exploring European culture and tolerance
By Tara Brady
Cannes First Look review: Paper Tiger – Gangsters and fixers in grimy 1980s New York
By Tara Brady
Cannes First Look review: Bitter Christmas - You’ll wonder if Almodóvar is phoning it in
By Tara Brady
Tom & Jerry: Forbidden Compass review – Cartoon duo become supporting players in their own film
By Tara Brady
Cannes First Look review: Tin Castle paints a touching, confounding portrait of an Irish Traveller family
Cannes First Look review: Jim Queen – This gay-influencer animated comedy is gleefully smutty
By Tara Brady
Cannes First Look review: Hope – Na Hong-jin’s sci-fi horror has an astonishing opening hour
By Tara Brady
Cannes First Look review: The Unknown – Léa Seydoux stars in Arthur Harari’s body-swap horror
By Tara Brady
The Mysterious Gaze of the Flamingo review: Sexual desire becomes contagion and curse in haunting debut
By Tara Brady
First Look review: Barry Keoghan gives a tense, psychologically uneasy performance in Butterfly Jam
Once We Were Punks review: If you’re over a certain age, this is a moving Irish music documentary
Cannes First Look review: The Electric Kiss – Pierre Salvadori’s lovely film has fun untying a romantic knot
The Christophers review: Steven Soderbergh’s film scrapes by thanks to a compelling cast
By Tara Brady
The Sheep Detectives review: The farmyard hasn’t been this disarming since Babe
By Tara Brady
Billie Eilish (Live in 3D) review: Stunning views show raw power of an incredible artist
By Tara Brady
Iron Maiden: Burning Ambition review – Tight pants, greasy leather and a very excited Javier Bardem
Reflection in a Dead Diamond review: Who needs a new Bond film when there’s this to be dazzled by?
By Tara Brady
The Devil Wears Prada 2 review: Lovely clothes. Savage quips. And a cameo by a celebrated Irish golfer
Hokum review: Adam Scott excels in this Irish ghost story with a sly sense of fun
By Tara Brady
Exit 8 review: An elegant horror that forces the unfortunate hero’s paranoid mindset on the viewer
By Tara Brady
Rose of Nevada review: Mark Jenkin explores the slipperiness of time in this extraordinary film
Michael review: Two hours of cosplay karaoke – and absolutely no suggestion of impropriety
By Tara Brady
The Blue Trail review: Ageing rebel’s spirit reawakens in defiant journey down the Amazon
By Tara Brady
The Wizard of the Kremlin review: Jude Law lends gravitas to this clunky drama
By Tara Brady
Kiss of the Spider Woman review: Jennifer Lopez brings the house down. But it’s not quite enough
Father Mother Sister Brother review: The lowest point of Jim Jarmusch’s wildly uneven film is sadly the Dublin section
By Tara Brady
Undertone review: Creepy Catholic iconography adds to unease of debut director’s eerie chiller
By Tara Brady
You, Me & Tuscany review: another patronising Hollywood comedy replete with thumping stereotypes
The Super Mario Galaxy Movie: A breathless, galaxy-spanning scramble. At least it’s short
By Tara Brady
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