Fran the Man review: Irish TV comedy’s big-screen upgrade floods the zone with classy comic actors
One to One: John & Yoko review – Watch this film at a good cinema to really appreciate its seat-juddering sound
Holy Cow review: Box-office smash powered along by youthful exuberance, earthy sex scenes and keen naturalism
By Tara Brady
The Return: In Ralph Fiennes’s new film, a minimalist take on The Odyssey, even the loincloths are skimpy
By Tara Brady
A Minecraft Movie review: Jason Momoa and Jack Black have a ball in a proudly silly family adventure
By Tara Brady
Restless review: Perfectly pitched thriller makes an everyday irritation impressively stressful
Mr Burton review: Absorbing Richard Burton origin story features a tremendous Harry Lawtey as the future Hollywood star
By Tara Brady
Four Mothers review: Fionnula Flanagan excels as one of four Dublin partying matriarchs on a road trip
An Taibhse review: Queasy atmosphere and good performances drive this taut Irish-language horror
La Cocina review: A kitchen drama that makes The Bear feel like listening to Enya in a garden centre
By Tara Brady
The End review: Don’t be put off. This powerful, beautiful film could become a cult classic
Misericordia review: We know whodunit in this Hitchcockian murder-comedy. But what’s everyone else up to?
By Tara Brady
Brief History of a Family review: Startlingly eerie debut finds new angles to a familiar genre
Snow White review: Live-action reimagining of the classic 1937 film is a muddled mess
By Tara Brady
The Alto Knights review: Robert De Niro’s gimmicky mobster double act is an unnecessary distraction
By Tara Brady
Sister Midnight review: An endlessly inventive marriage of perfectly pitched comedy and deranged ambience
The Electric State: Netflix gives the Russos $320m and this is all they have to show for it?
By Tara Brady
Black Bag review: Soderbergh’s spy flick starring Blanchett and Fassbender beats streaming rivals hands down
Opus: John Malkovich’s bopping saves this inventive but frustrating horror film
By Tara Brady
Plankton: The Movie review – Who knew marital discord could be so much fun for all ages?
By Tara Brady
Mickey 17 review: Bong Joon Ho’s fitful sci-fi satire is a rickety follow-up to the Oscar-winning Parasite
Ernest Cole: Lost and Found – Moving portrait of an exiled apartheid photographer
By Tara Brady
On Falling review: This superb debut about a lonely warehouse picker is an astonishing fable of hidden miseries
Fight or Flight review: Snapped arms, splattered brains, a surprise chainsaw – this is good, honest pulp
Vermiglio review: Captivating chronicle of the hardships and eccentricities of an ever-expanding family
By Tara Brady
September Says review: A Greek weird wave star has set her new film in some kind of AI-generated Ireland. Why?
By Tara Brady
Schmeichel review: Eric Cantona, Alex Ferguson and Gary Neville line out. But where’s Roy Keane?
By Tara Brady
Captain America: Brave New World review – Not even Harrison Ford’s last-ditch Red Hulk can rescue this cheap, garish mess
By Brandon Yu
Memoir of a Snail review: A lovely, heartfelt creation from an Oscar-winning animator
By Tara Brady
To a Land Unknown review: This uncomfortable film about Palestinian refugees adrift in Athens sweeps you along in its momentum
Bridget Jones: Mad About the Boy review – Lifestyle porn? Check. Cackling friends? Check. Easily the best film in the series? Check
We Are Fugazi from Washington, DC review: Fan-sourced film captures legendary US punks in all their glory
By Tara Brady
The Fire Inside review: The Olympic champion Claressa ‘T-Rex’ Shields deserves an Oscar-worthy biopic. This isn’t quite that
By Tara Brady
September 5 review: Tightly assembled thriller revisits the Munich Olympics hostage crisis
By Tara Brady
Bring Them Down review: Barry Keoghan’s new film should be called Bring Me the Head of Alfred O’Garcia
Companion review: Sophie Thatcher is the scream queen to beat in this post-AI spin on The Stepford Wives
By Tara Brady
Hard Truths review: Mike Leigh makes a moving return to the domestic miseries of north London
The Colors Within review: The story of a socially awkward Catholic student and her friends
By Tara Brady
Posso Entrare? An Ode to Naples review: Trudie Styler’s documentary offers brutal truths and blissful sunlit escape
Presence review: Steven Soderbergh’s ghost story is flashy film-making but short on thrills
By Tara Brady
The Brutalist review: Adrien Brody’s Jewish refugee mud-wrestles American capitalism in this astonishing film
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