Captain America: Brave New World review – Not even Harrison Ford’s last-ditch Red Hulk can rescue this cheap, garish mess
By Brandon Yu
To a Land Unknown review: This uncomfortable film about Palestinian refugees adrift in Athens sweeps you along in its momentum
Memoir of a Snail review: A lovely, heartfelt creation from an Oscar-winning animator
By Tara Brady
Bridget Jones: Mad About the Boy review – Lifestyle porn? Check. Cackling friends? Check. Easily the best film in the series? Check
We Are Fugazi from Washington, DC review: Fan-sourced film captures legendary US punks in all their glory
By Tara Brady
The Fire Inside review: The Olympic champion Claressa ‘T-Rex’ Shields deserves an Oscar-worthy biopic. This isn’t quite that
By Tara Brady
September 5 review: Tightly assembled thriller revisits the Munich Olympics hostage crisis
By Tara Brady
Bring Them Down review: Barry Keoghan’s new film should be called Bring Me the Head of Alfred O’Garcia
Companion review: Sophie Thatcher is the scream queen to beat in this post-AI spin on The Stepford Wives
By Tara Brady
Hard Truths review: Mike Leigh makes a moving return to the domestic miseries of north London
The Colors Within review: The story of a socially awkward Catholic student and her friends
By Tara Brady
Posso Entrare? An Ode to Naples review: Trudie Styler’s documentary offers brutal truths and blissful sunlit escape
Presence review: Steven Soderbergh’s ghost story is flashy film-making but short on thrills
By Tara Brady
The Brutalist review: Adrien Brody’s Jewish refugee mud-wrestles American capitalism in this astonishing film
Emmanuelle review: The fancy couch is more erotic than the onscreen couplings in this pointless reboot
By Tara Brady
A Complete Unknown review: As Bob Dylan, Timothée Chalamet works his wee nasal cavity to death
Wolf Man review: Shocker finds new ways of turning the stomach as it honours the great werewolf tradition
The Girl with the Needle review: Splendid but sombre serial-killer-inspired fairy tale for grown-ups
By Tara Brady
Maria review: Angelina Jolie captures the tragic glamour of Maria Callas in a masterly portrayal of the opera star
The Damned review: Chilly horror powered along by suspicion, atmospherics and an unforgettable landscape
By Tara Brady
Babygirl review: Five stars for a fearless Nicole Kidman’s dive into a hot erotic mess. Bondage has seldom been as playful
By Tara Brady
A Real Pain review: Kieran Culkin could be on an unstoppable run to an Oscar for this touching, funny drama
Beezel review: This queasy horror set in an impressively creepy Massachusetts house is pulp as pulp should be
Nickel Boys review: You’ll never have seen anything like this daring, heartbreaking chronicle of abuse and inequality
By Tara Brady
We Live in Time review: Is there is a word for a manipulative drama that isn’t up to the task?
How to Make Millions Before Grandma Dies review: Warm, witty tear-jerker about an improbable subject
By Tara Brady
Better Man review: Robbie Williams as a monkey is a surprising look at the ego-driven’s star’s life
The Six Triple Eight: Stirring tribute to the only black women’s unit to serve in Europe during the second World War
By Tara Brady
The Order review: This taut, gritty white-supremacist thriller could pass for a rediscovered early-1970s classic
By Tara Brady
Mufasa: The Lion King review – This follow-up has a hungry cash-box where its soul should be
Chasing the Light review: This agreeable Irish documentary is all peace and healing. Then something disturbing happens
Queer review: There’s not a trace of William S Burroughs in Luca Guadagnino’s hugely disappointing adaptation
By Tara Brady
The Bibi Files: Scathing portrait of Binyamin Netanyahu’s alleged history of backhanders
By Tara Brady
The Lord of the Rings: The War of the Rohirrim review – Enjoyably gory epic is a useful addition to Tolkien lore
On Becoming a Guinea Fowl: Rungano Nyoni’s darkly comic abuse-survival tale is a blistering original
By Tara Brady
Merchant Ivory: Stephen Soucy’s documentary lifts up the petticoats of the prestigious production house
By Tara Brady
Nightbitch: Amy Adams gives it her all, but the close of the film feels like a malign deception
Conclave: Ralph Fiennes is flawless in Robert Harris’s preposterously gripping drama of papal electioneering
All We Imagine as Light: Swooningly poetic film marks Payal Kapadia as a voice for the future
Moana 2: Entertaining Disney sequel has the best boat chases since Live and Let Die
By Tara Brady
Our Little Secret: Awkward! Lindsay Lohan’s Christmas flick may as well be AI generated
By Tara Brady
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