Blitz review: Saoirse Ronan has little to work with in Steve McQueen’s absorbing but crowded war-time drama
By Tara Brady
The Piano Lesson review: Denzel Washington’s project is admirable, but this film can’t shake off its stage origins
Small Things Like These: Cillian Murphy’s performance is fiercely internalised in a film emblematic of a changing Ireland
By Tara Brady
Anora: A stripper, Russian heavies and an oligarch’s son – what more do you need for a knockout comedy?
Super/Man: The Christopher Reeve Story review - A perfectly decent doc lifted by throat-catching moments
Heretic review: Hugh Grant has a ball tormenting young Mormon doorsteppers in this gleeful horror thriller
By Tara Brady
Dahomey review: Mati Diop’s fascinating hybrid documentary lays out its argument in sharp fashion
The Room Next Door review: Almodóvar’s English-language debut is stuffed with good performances but sounds off-key
By Tara Brady
A Sudden Glimpse to Deeper Things review: A lovingly curated chronicle of the artist Wilhelmina Barns-Graham
By Tara Brady
Every Little Thing: A gorgeous, life-affirming portrait of a hummingbird healer
By Tara Brady
The Apprentice film review: Ivana Trump taunts Donald for his orangeness. Then this drama’s most disturbing moment happens
Woman of the Hour: Anna Kendrick’s chilling directorial debut gives voice to the victims of the serial killer Rodney Alcala
By Tara Brady
King Frankie: An intriguing reminder of the Celtic Tiger delusions that hung around Ireland for decades
Stuntman: This retro Hong Kong action film is the movie The Fall Guy wanted to be
By Tara Brady
Blitz first look: Could Saoirse Ronan be on track for a double Oscar nomination with her new film?
’Salem’s Lot: An ominous foreboding precedes this Stephen King adaptation – for all the wrong reasons
First Look: Barry Keoghan’s new film, the sometimes sickeningly extreme Bring Them Down, is a hard movie to like
By Tara Brady
Humanist Vampire Seeking Consenting Suicidal Person: Like a very French Edward Scissorhands
By Tara Brady
A Different Man: Impressively original comedy that turns ideas of beauty and ugliness on their heads
Joker: Folie à Deux review – a drab affair that never quite gets started, but it’s probably still worth it
The Teacher: Farah Nabulsi’s Palestinian drama is powered along by terrific performances and palpable fury
By Tara Brady
Megalopolis or Megaflopolis? Francis Ford Coppola took 40 years to make this sci-fi epic but it misfires on the grandest scale
By Tara Brady
My Old Ass: Aubrey Plaza deadpans as this charming low-fi sci-fi puts a fun spin on coming of age
By Tara Brady
The Outrun: Saoirse Ronan gives a forceful performance as an alcoholic in white-knuckle recovery
Strange Darling: How weird is this cult sensation? There’ll never be another movie quite like it
By Tara Brady
Sugarcane: Gripping story of abuse in Catholic schools in Canada is an early Oscar favourite
By Tara Brady
The Substance: Demi Moore’s spectacularly disgusting body horror is a two-finger rebuke to the beauty industry
My Favourite Cake: A septuagenarian Brief Encounter jollied along by quiet political fury
By Tara Brady
The Critic: Only Ian McKellen could roll these insults around his tongue with such after-dinner relish
War photographer Lee Miller finds a champion in Kate Winslet, but this long-delayed biopic isn’t worth the wait
By Tara Brady
Speak No Evil: Aisling Franciosi and James McAvoy are cracking in this bracingly uneasy horror remake
Starve Acre: Hare-raising horror about ancient dark things in the unnerving Yorkshire Dales
By Tara Brady
Don’t Forget to Remember review: A fine collaboration on the struggle to live with Alzheimer’s disease
First Look at Joker: Folie à Deux – Part musical, part prison movie, mostly plodding courtroom drama
By Tara Brady
Rebel Ridge: John Boyega quit Jeremy Saulnier’s long-delayed thriller. It’s actually pretty good
By Tara Brady
First Look: George Clooney and Brad Pitt in Wolfs – Too sleek, too chiselled, too Nespresso ad
Close to You review: Elliot Page brings a fascinating biographical dimension to this intimate drama
By Tara Brady
Oddity: Nifty old-school horror from one of Ireland’s most exciting film-makers
By Tara Brady
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