A film that talks the talk

Of all the directors who emerged from the French New Wave (now, mon Dieu, 50 years old), none forged such a lucid, disciplined…

MY NIGHT WITH MAUD/MA NUIT CHEZ MAUD Directed by Eric Rohmer. Starring Jean-Louis Trintignant, Françoise Fabian, Marie-Christine Barrault, Antoine Vitez Club, IFI, Dublin, Fri Jul 30- Thurs Aug 5 ifi.ie

Of all the directors who emerged from the French New Wave (now, mon Dieu, 50 years old), none forged such a lucid, disciplined, distinctive aesthetic as did the great Eric Rohmer.

The director, who died this year at the age of 89, perfected a class of sophisticated, chatty non-drama – not quite comedy, either – that proved influential on such sedate successors as Richard Linklater and Jim Jarmusch. If the informed viewer catches just 10 seconds of a Rohmer film from the late 1960s or early 1970s he will immediately recognise the signature shapes and tropes.

Part of a series cheekily named Moral Tales, My Night With Maud(1969) marked the point at which Rohmer went from cult hero to arthouse superstar (there once were such things). Following Jean-Louis Trintignant's uncertain Catholic as, on the eve of his marriage, he spends the night talking to a free-thinking divorcee, the film manages to get across many volumes of philosophical conundrums in one reasonably neat package.

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View My Night with Maudfor Néstor Almendros's crisp monochrome photography. View it for its accidental cool. View it as the quintessential Rohmer picture.

Donald Clarke

Donald Clarke

Donald Clarke, a contributor to The Irish Times, is Chief Film Correspondent and a regular columnist