Catherine Leonard (violin), Orchestra of St Cecilia's/Barry Douglas

Divertimento in D, K136 - Mozart

Divertimento in D, K136 - Mozart

Violin Concerto No 3 - Mozart

Violin Concerto in A minor - Bach

Symphony No 39 - Mozart

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The Orchestra of St Cecilia's latest three-concert Mozart and Bach series got off to a good start at the National Concert Hall last Wednesday. Mozart's early Divertimento in D is a piece which often sparks a sort of tricksy virtuoso display from modern chamber orchestras. Barry Douglas took a much gentler approach, encouraging some of the silkiest string tone I've yet heard from the OSC while still capturing the music's essential vitality and charm.

Catherine Leonard demonstrated her musicianship, even if she did not always sound entirely comfortable as the soloist in the Mozart and Bach concertos. Mozart is one of the most elusive of composers, his apparent directness and simplicity masking deeper levels which resist many of the devices of expressive probing that musicians like to employ.

Leonard's playing on this occasion danced more freely and persuasively than it sang. And in Bach's Concerto in A minor, she essayed a lightness that, while agreeable in itself, didn't quite deliver on the sharpness of contour or articulation that it seemed to promise. The orchestral support in the two concertos showed signs of raggedness, and in the closing symphony - the first and most neglected of Mozart's final three - Douglas seemed to be striving for a sustained intensity that his forces couldn't quite muster.

He's not the most controlled-looking of conductors, with gestures of an emphatic jerkiness that's not always easy to connect with the sounds that result in the playing. In the symphony, the music-making was at its most consistently rewarding in the minuet, which was graced by some strikingly expressive and penetrating clarinet-playing. Elsewhere, there were frequent problems with rhythmic control and clarity of balance.

This was Douglas's first encounter with the OSC, and it will be interesting to see how his work with it develops in the remaining concerts of the series over the next two weeks.

Series continues tomorrow and on Wednesday, November 22nd. For information, phone 01-6675835.

Michael Dervan

Michael Dervan

Michael Dervan is a music critic and Irish Times contributor