Pálmason: ‘I wasn’t interested in making a film if it wasn’t rooted in my children and surroundings’
The Love That Remains is a transportive comic crowd-pleaser about divorcing parents and their lively offspring and animals
Four new films to see this week: One Last Deal, Resurrection, Scarlet and A Pale View of Hills
Danny Dyer, Jackson Yee, Suzu Hirose and Yoh Yoshida feature in a quartet of movies released in the week of March 13th, 2026
Scarlet review: An audacious anime riff on Hamlet that never quite comes together
Mamoru Hosoda’s visual imagination remains formidable but the storytelling proves less assured
A Pale View of Hills review: visually elegant but its emotional core remains out of reach
Kei Ishikawa’s film simultaneously demonstrates the plusses and pitfalls of tackling Kazuo Ishiguro’s work
Peaky Blinders: The Immortal Man review – Cillian Murphy is magnetic, but this spin-off saga’s razor has dulled
Barry Keoghan, as Duke Shelby, provides a volatility this offshoot of the TV series sorely needs
Sound of Falling director Mascha Schilinski: ‘We realised there were many repressed secrets’
German film-maker on how her Cannes-winning second feature brings women’s voices out of the margins
Báite: An absorbing, visually handsome murder mystery that never quite quickens the pulse
Ruán Magan’s Irish-language feature is adapted by Sheena Lambert from her own novel The Lake
Four new films to see this week: Scream 7, Sirat, All You Need Is Kill and Amplified
Neve Campbell, Courteney Cox and Sergi López feature in a quartet of movies released in the week of February 27th
Amplified: The Exportation of the Culture Wars – disquieting study of weaponised rhetoric
Mike Sheridan’s first feature begins as study of toxic US discourse and expands into sobering excavation of Dublin unrest
All You Need Is Kill: Imaginative time-loop anime never leaves viewers feeling stuck
Kenichiro Akimoto’s film departs from Hollywood cousin Edge of Tomorrow with Skittle colours and shift in perspective
Oliver Laxe on the making of desert rave epic Sirat: ‘You jump into the abyss’
‘Film-maker of the senses’ on his apocalyptic, Oscar-nominated sensation and being a ‘freak’ in Spain
Four new films to see this week: The Secret Agent, If I Had Legs I’d Kick You, The Testament of Ann Lee and The Moment
Charli XCX, Rose Byrne, Amanda Seyfried and Wagner Moura feature in a quartet of movies released in the week of February 20th, 2026
Oscar nominee Rose Byrne: ‘When I go through passport control in Ireland they say welcome home’
The star on the ‘incendiary’ If I Had Legs I’d Kick You, her Australian identity and women in comedy
If I Had Legs I’d Kick You: Maternal stress becomes searing, breathless psychodrama
Rose Byrne, Jessie Buckley’s biggest Oscar rival, is extraordinary in Mary Bronstein’s film
The Secret Agent: Danger hums in nervy Brazilian thriller
Labyrinthine film set during military dictatorship evokes 1970s conspiracy chillers